BOOKER PRIZE | 2019 SHORTLIST

When the van door slammed on Offred’s future at the end of The Handmaid’s Tale, readers had no way of telling what lay ahead for her—freedom, prison or death.

With The Testaments, the wait is over.

Margaret Atwood’s sequel picks up the story fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.

“Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we’ve been living in.” —Margaret Atwood

Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.

Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

A contemporary twist on the Odyssey, An Orchestra of Minorities is narrated by the chi, or spirit of a young poultry farmer named Chinonso. His life is set off course when he sees a woman who is about to jump off a bridge. Horrified by her recklessness, he hurls two of his prized chickens off the bridge. The woman, Ndali, is stopped in her tracks.

Chinonso and Ndali fall in love but she is from an educated and wealthy family. When her family objects to the union on the grounds that he is not her social equal, he sells most of his possessions to attend college in Cyprus. But when he arrives in Cyprus, he discovers that he has been utterly duped by the young Nigerian who has made the arrangements for him. Penniless, homeless, we watch as he gets further and further away from his dream and from home.

An Orchestra of Minorities is a heart-wrenching epic about destiny and determination.

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.

Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life – friends who are now desperately trying to find her. . .